Allegory Of The Cave Plato Essay Papers
Dogging my reading of Plato at the Googleplex was another book, a kind of shadow. It’s a slim book from the late nineties that also was made up of a funny mixture of Platonic dialogues and speculations about the past and the nature of philosophy. Called The Plato Papers, and written by the English man of letters Peter Ackroyd, it falls well below the rigorous standards of Plato at the Googleplex. It’s not nearly as good a book. Actually, it’s not even a good book. And yet, somehow it’s a better one.
'Peter Ackroyd is a visionary, as The Plato Papers makes clear. This is one of the oddest but most important and original novels to appear in many years. This masterpiece of contemporary writing will thrill and entertain readers for years to come, but it will do more than that: it will enlarge their vision, stimulating organs long forgotten and never known.' Jay Parini, author of The Last Station and Robert Frost: A Life
Even after the best part of two and a half thousand years, we can’t get away from Plato. His dialogues still have a shaping influence on modern thought, including on science fiction. It is interesting, for instance, that Jo Walton has a couple of books out recently, based on Plato’s writings. She isn’t the first; Peter Ackroyd has also used Plato as the basis for one of his rare excursions into science fiction, though the result is, frankly, one of his worst books. This review of The Plato Papers first appeared in Vector 207, September-October 1999.As We Know It is a work of popular science that teeters towards the unpopular end of the publishing spectrum. As Kohn admits himself in one particularly cheerful interlude, the problem with pre-historical material is that it is both sketchy and humdrum. A bunch of australopithecines deciding to have sex is not the Algonquin Club, and as far as the source material is concerned, one is sometimes reminded of Peter Ackroyd's latest opus The Plato Papers where a Greek philosopher stranded far into the future uses incomplete data to prove, among other things, that The Origin of Species is a brilliant comic satire by Charles Dickens. This may explain why the book's highlights move from the speculative and the theoretical to vividly anecdotal interludes: like a visit to a demonstration of modern- day flint-knapping at the Salisbury home of Phil Harding, one of Britain's finest practitioners. "So Phil sat and knapped, while I stood filming him with a camcorder. At this particular point in history the video camera stands for technological sophistication in a way that other objects in the scene do not; the trains which passed the garden every so often, for example, or the boots on our feet. But if the technological distance from Phil's workboots to my camcorder is like the distance from the Moon to Earth the Boxgrove hominid's handaxes are as far away as Saturn." Actually, Boxgrove, one of the world's great handaxe sites, is reachable on the A441.Don't be fooled by a phony website! Choose us and experience our top-notch custom service and expert writers. Regardless of length and specifications, we are here to help you complete your Plato research paper. We've been helping students and professionals like you for many years and have solid reputation on the Internet of doing so. Feel free to search Google or Yahoo for any complaints or scam reports on us. You'll find nothing because we are a legitimate company based in the USA that adheres to the basic concept of keeping you happy and coming back to our website for all of your paper help!The purpose of this study is to trace the characteristic features of historiographic metafiction in Peter Ackroyd's The Plato Papers. This narratological study focuses on the theories formulated and developed by Linda Hutcheon and the characteristics she has enumerated for this particular type of fiction. In historiographic metafiction, history is willfully treated and rendered as a subjective account which includes deliberate, ironical, and playful changes in historical accounts and incidents. The result is the fictionalisation of history. The central question of the article is: How does history function as a metafictional agent in Peter Ackroyd's The Plato Papers? The purpose is to see which narrative elements can be claimed to exhibit aspects of postmodern fictional history-telling. The present paper shows that in the selected novel, history is presented as a subjective and constructed concept with no inherent reliability or authority. The narrative deals with a specific period in history, but Ackroyd manipulates certain individuals and facts in order to challenge the established history and offer his personal reading of it.